Hello, I'm Aisha.

I live in Serangoon, in a flat I've slowly filled with second-hand novels and one very opinionated pothos. StoryPush is not a magazine, a newsletter empire, or anything that requires a content calendar. It is my reading-room notebook on the internet — a place to set down the small tales I collect while living an otherwise ordinary life near Kovan MRT.

By weekday I work part-time at a library branch, which means I spend a fair amount of time recommending books to strangers and shelving returns that smell faintly of rain. People assume librarians read all day. In truth I read on the bus, at the kitchen table after dinner, and in the ten minutes before the kopitiam uncle clears my cup. Reading and listening overlap for me. I notice how someone phrases a goodbye, how a stallholder counts change without looking, how an auntie on the void deck describes her grandson's PSLE results as though narrating a short film.

I grew up in Singapore — Hougang first, then Serangoon when my parents moved closer to my grandmother. She lived two blocks from where I am now, and I still walk past her old lift landing sometimes, though the bench has been replaced. That continuity matters to me. The city changes quickly, but pockets of speech and habit remain. The uncle who remembers your order. The lane where the paint shop keeps the same chipped sign. The neighbour who stacks recycling with the precision of a museum curator — which, yes, became a whole comic entry after I visited a friend in Choa Chu Kang.

StoryPush began because friends kept asking me to "write that one down" after I'd told them something over teh halia. I resisted for a while. Who needs another person narrating their neighbourhood? Then I realised I wasn't trying to explain Singapore to anyone. I was trying to remember it properly — the texture of a humid afternoon, the kindness that doesn't announce itself, the sentences worth keeping.

What you'll find here

First-person essays, mostly short. Kopitiam conversations. Market mornings. Bus rides. Occasionally a spoof investigation when the material is too funny to treat solemnly. I write in British-influenced Singapore English — organise, centre, MRT, void deck — because that's how I think. I don't take sponsorships. I don't publish guest posts. If you see a name in a story, it's either someone who agreed to be written about or a composite drawn from several real moments, and I'll say which when it matters.

A small disclaimer

Everything on StoryPush is personal writing — memoir-adjacent, memory-touched, offered in good faith rather than as fact-checked journalism. Names are sometimes changed. Timings shift. I mean no harm and I correct errors if you write to me with evidence. Nothing here is medical, legal, or financial guidance. It's a diary left open on the table, and you're welcome to read over my shoulder.

If a story reminds you of your own afternoon, I'd like to hear it. The contact page goes to my inbox, and I read every note when the laundry allows.